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By Charles McGaw, Kenneth L. Stilson, Larry D. Clark
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Extra info for Acting is Believing (tenth edition)
The medium protects 22 Part I The Actor them from errors, and the ﬁnished product is frozen in time. Even such shows as Saturday Night Live are simply taped live before a studio audience, but the broadcast occurs later that evening. No ﬁlms and virtually no character-driven television programs today are shot live. Many early TV shows were presented in front of both the studio and televised audiences simultaneously. Today, however, outside of newscasts and some sporting events, almost everything is frozen in celluloid or by digital means.
Within an hour after their marriage, Romeo, involved in an outbreak of the ancient hostility, has killed Juliet’s cousin and has been banished from his native city of Verona. There seems to be no hope of happiness together as the young couple say farewell in the dawning light. What an exciting prospect to play one of these famous lovers. You have now learned that you must be prepared to explore and expand (through research) your own personal history before you can possibly create a character in whose behavior you, the other actors, and the audience can believe.
Modify your stride. See yourself in relation to everyone in the room. Throughout this sequence, you may interact with others as you walk. Have fun. When the impulse arises, run. Run fast (but in control). Now you are either walking or running. Follow some others in the class. Note the distinct way they carry themselves, and adapt your movement to theirs. Do not enlarge upon or mock their movement; instead, note the subtle differences. Break away in a different direction. Don’t plan these actions.
Acting is Believing (tenth edition) by Charles McGaw, Kenneth L. Stilson, Larry D. Clark